The summary of ‘Sarah Sze Timekeeper 2016 at Copenhagen Contemporary’

This summary of the video was created by an AI. It might contain some inaccuracies.

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The video discusses the concept of time in relation to motion pictures and images, referencing historical figures like Muybridge and Edgerton. The artist emphasizes the fragmentation of images in modern times and how it mirrors film editing. The artwork involves unsynchronized images, creating random collisions, blurring the lines between viewer, maker, and audience. The dynamic nature of the artworks without frames creates movement and fluidity. There is a focus on a video piece called "the race" where images overlap and separate based on animal speed. The concept of "dead images" symbolizing the end of an image's lifespan is explored, with videos incorporating audio to create a machine-like rhythm. The sculptures are described as tools that have evolved into art pieces.

00:00:00

In this segment of the video, the artist discusses the concept of time in relation to motion pictures and images. They reference historical figures like Muybridge and Edgerton who explored motion and slow motion techniques. The artist emphasizes the fragmentation of images in modern times and how it reflects the editing process in film. The artwork presented involves unsynchronized images on and off for one minute, creating random collisions. The sculpture itself acts as a projector and editing tool in the space, blurring the lines between viewer, maker, and audience.

00:03:00

In this segment of the video, the focus is on the dynamic nature of the artworks with no frame, creating a sense of movement and fluidity. The back of the book functions as a live clock with time zones for various cities around the world. The artist discusses a video piece called “the race” where images overlap and separate based on the speed of the animals depicted. The concept of a “dead image” circulating the room is explored, symbolizing the end of an image’s lifespan. The videos incorporate audio from recorded sounds to create a machine-like rhythm. The sculptures are described as tools or jigs that have evolved into the art pieces themselves.

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