The summary of ‘Top 20 Best Movie Ending Songs’

00:00:00

In this segment of the video, the hosts are counting down their picks for the top 10 movie ending songs. First, they discuss “Iron Man” by Black Sabbath, used at the end of the Marvel film “Iron Man.” Despite being an obvious choice, the song emphasized the surprise ending where Tony Stark reveals his superhero identity, leaving audiences energized. Next, they highlight “Surf Rider” by The Lively Ones from “Pulp Fiction.” The track plays as hitmen Jules and Vincent casually exit a diner after surviving a robbery, perfectly capturing the cool and laid-back California vibe, and wrapping up the film’s narrative style.

00:03:00

In this part of the video, the focus is on the use of the songs “Just Like Honey” by The Jesus and Mary Chain and “Heroes” by David Bowie in films. “Just Like Honey” is highlighted for its role in the ending of “Lost in Translation,” where it complements the melancholic and open-ending nature of the film as Bill Murray’s character shares a final moment with Scarlett Johansson’s character. The song helps convey a sense of change and reflection for the characters.

“Heroes” by David Bowie is discussed in its context within “The Perks of Being a Wallflower.” The song becomes an anthem for the main character, Charlie, and his friends. It notably reappears at the end of the film as Charlie embraces a spirited and hopeful moment while driving through a tunnel, symbolizing a fresh start and limitless possibilities for the young characters.

00:06:00

In this part of the video, there is a tribute to an actor with the song “See You Again” by Wiz Khalifa and Charlie Puth, creating an emotional climax and fitting end for the character Brian. The song highlights the theme of mourning with poetic lyrics about friendship and loss, culminating in a touching chorus by Puth. The segment emphasizes how even a high-octane film like “Furious 7” can evoke deep emotions.

The video then transitions to discussing “Extreme Ways” by Moby from “The Bourne Supremacy.” The song accentuates a crucial moment where Jason Bourne contacts CIA Deputy Director Pamela Landy, revealing that he’s been watching her, setting the stage for his next adventure.

Lastly, the video covers the use of Ben E. King’s “Stand by Me” in the film “Stand by Me.” The song underscores the theme of friendship and loyalty, playing over the final moments to echo the protagonist’s reflections on his childhood adventures.

00:09:00

In this part of the video, the discussion revolves around iconic songs featured in films and their impact on the movie’s emotional resonance. The narrator highlights “Stand by Me” from the film of the same name, stressing the deep connection between lasting childhood friendships and the song’s meaningful placement at the film’s conclusion. Moving on to the song “Everybody’s Got to Learn Sometime” by Beck from “Eternal Sunshine of the Spotless Mind,” the narrator reflects on the film’s exploration of erasing painful memories and the potential for learning from past relationship mistakes. The poignant music underscores the film’s themes of love and heartache. The segment then addresses “Born Slippy.Nux” by Underworld from “Trainspotting,” emphasizing how this energetic track accompanies the protagonist Renton’s renewed determination to leave his past behind and seize life, adding emotional depth to the film’s ending despite its chaotic undertones.

00:12:00

In this part of the video, the narrator discusses moments in films that are significantly enhanced by their musical scores. They start with the movie *Apocalypse Now*, focusing on “The End” by The Doors, which perfectly accompanies the movie’s exploration of the Vietnam War and the psychological decay of its characters. Next, *Cruel Intentions*, featuring “Bittersweet Symphony” by The Verve, underscores the movie’s conclusion, heightening its emotional impact as the story resolves with tragedy and comeuppance. Finally, they highlight *Drive*, where “A Real Hero” by College and Electric Youth amplifies the film’s nod to the 80s and its crime narrative, enriching the viewing experience with an atmospheric soundtrack.

00:15:00

In this part of the video, the focus is on memorable music tracks used in films and their impact on the narrative. The segment discusses Ryan Gosling’s character in “Drive,” highlighting how the synth-powered song emphasizes that real heroes don’t always wear capes, even if he couldn’t be with Carrie Mulligan’s character. The collaboration of College and Electric Youth contributed significantly to the film’s distinctive atmosphere.

Next, it examines “Goodfellas” and its ending, where Henry Hill, now an informant, faces a mundane life in witness protection. Instead of Frank Sinatra’s version of “My Way,” Scorsese chose Sid Vicious’s harsher rendition to underline Hill’s uneasy fit with civilian life, ending the film on a sarcastic note.

Lastly, the segment covers “Donnie Darko,” where the song “Mad World” by Michael Andrews and Gary Jules amplifies the film’s 80s setting and adds emotional depth to the final montage, as the characters cope with the lead’s death.

00:18:00

In this part of the video, the discussion highlights key film and song combinations that left a lasting cultural impact. Firstly, “Lose Yourself” by Eminem from the film “Eight Mile” is explored for its semi-autobiographical elements and how it encapsulates Eminem’s rise to fame, perfectly ending the movie and boosting the rapper’s career. Secondly, “Don’t You Forget About Me” by Simple Minds from “The Breakfast Club” is spotlighted as an 80s anthem that encapsulates the film’s themes and moments, including the iconic final scene with Bender’s triumphant fist in the air. Lastly, Vera Lynn’s “We’ll Meet Again” from the film “Dr. Strangelove” is mentioned for its ironic yet memorable role in closing out the black comedy about nuclear war. These songs are noted for their ability to resonate profoundly with their respective films, adding depth and enhancing viewer engagement.

00:21:00

In this segment of the video, the focus is on the use of iconic songs in film endings to create memorable and impactful conclusions. Stanley Kubrick’s film ends with nuclear war but uses Vera Lynn’s “We’ll Meet Again” to add an ironic, humorous twist, showcasing Kubrick’s subversive genius. The segment also discusses the movie “The Matrix,” which concludes with Rage Against the Machine’s “Wake Up,” symbolizing Neo’s awareness of reality and the film’s philosophical themes. Additionally, “The Graduate” is highlighted for its use of Simon and Garfunkel’s “The Sound of Silence,” capturing the protagonist’s uncertainty and complicated emotions at the film’s end.

00:24:00

In this segment of the video, the discussion focuses on the ending song “Where Is My Mind” by Pixies, featured in the movie “Fight Club.” The narrator explains how the song effectively captures the film’s mood and tone, highlighting its role in emphasizing the protagonist’s psychological disintegration as the scenes unfold. The video’s host also notes Edward Norton’s famous final line and how the music complements the movie’s themes of disassociation and societal critique. The segment ends by asserting the lasting impact of this musical choice on pop culture.