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00:00:00 – 00:11:57
The video explores the striking advancements in Fujifilm GFX 100's new software update, which introduces a pixel shift feature allowing 400-megapixel photography. This significant leap from the camera’s standard 102-megapixel capability is achieved through a precise process requiring complete stillness of both the subject and camera. The presenter demonstrates this technology using studio still life photography and highlights the meticulous sensor shifts at a sub-pixel level.
Combining the 16 captured shots into a single high-resolution image is facilitated by Fuji's free Pixel Shift Combiner software, with comparisons between 100-megapixel and 400-megapixel images showcasing a marked increase in detail and magnification, especially noticeable when zoomed in using programs like Adobe Photoshop. The extraordinary detail captured is further illustrated through high magnification on a 4K display, revealing minute textures and particles.
However, the video also addresses practical challenges and limitations, such as the need for complete stillness and storage considerations due to the large file sizes generated. Unlike other brands that mitigate movement artifacts, Fujifilm’s approach prioritizes preserving image authenticity, making it ideal for art preservation but less feasible for dynamic scenes. The video concludes by acknowledging the storage demands of high-resolution photography and encourages viewers to explore related content.
00:00:00
In this part of the video, the creator discusses the new software update for the Fujifilm GFX 100, which now allows it to capture 400-megapixel photos through a feature called pixel shift. Although the camera itself is expensive ($10,000 for the body), the creator rented one to test this feature. The GFX 100 naturally shoots at 102 megapixels, so 400 megapixels is an astounding upgrade.
The creator outlines that using pixel shift requires both the subject and the camera to remain completely still. This is because the camera captures 16 photos and slightly shifts the sensor by 1.88 microns (sub-pixel level) for each shot, ultimately combining them into one high-resolution image using the in-body image stabilization system. Demonstrating the precision of this technology, the creator explains that the sensor shifts by half a pixel per exposure, akin to 1.88 microns, which is much finer than the thickness of a human hair.
However, the necessity of perfect stillness limits the practical applications of pixel shift, making it unsuitable for most landscape photography. To showcase the feature, the creator opts for still life photography with items in the studio, using a sturdy tripod and a mobile app to trigger the camera without physical contact.
00:03:00
In this part of the video, the presenter discusses using the pixel shift mode to take 16 shots, emphasizing that the electronic shutter eliminates the risk of shutter shock. The images must be combined on a computer using Fuji’s free Pixel Shift Combiner software. During the combination process, the presenter talks about a Skillshare class on finding one’s creative style and introduces other creative courses available on the platform. After combining the photos into a 400-megapixel DNG file, the presenter compares it with a 100-megapixel version to highlight the increased detail and magnification capabilities, demonstrating the significant difference when zooming in on both files using Adobe Photoshop.
00:06:00
In this segment of the video, the focus is on the incredible detail that can be achieved with 400-megapixel photos on a 4K timeline. The presenter examines various objects at a high magnification level on a 4K UHD display, demonstrating the extraordinary level of detail visible in these photos. For instance, the individual weaves of a HomePod’s fabric are clearly seen, as well as the intricate details of a 3.5-inch hard drive’s circuit board, including the fine markings and screw textures. The video also highlights the texture on the metal pins and reveals dust particles that are usually invisible. Additionally, high-resolution photos of a Fuji XT3 camera showcase microscopic details such as dust between dials and texture on the pyramids of the metal dial. Lastly, a comparison between 100-megapixel and 400-megapixel images illustrates the significant difference in detail captured by higher resolution photography.
00:09:00
In this part of the video, the presenter discusses the difference in detail visible when comparing 100 megapixel and 400 megapixel images, specifically focusing on the clarity of individual specs of dust in the images. The higher resolution significantly enhances the level of detail, which is demonstrated through a side-by-side comparison. The presenter also explains the concept of a 1080p selection within a 400 megapixel frame, highlighting how a small section of the high-resolution image contains the equivalent pixel count of an entire 1080p frame.
Additionally, the video covers the challenges and artifacts that can occur with failed pixel shift shots, especially when dealing with movement. While some cameras, like Sony’s and Panasonic’s models, can handle movement using advanced algorithms, the Fujifilm GFX uses a more basic approach suitable for artwork preservation, ensuring no image processing alters the originality.
Finally, the presenter highlights the storage implications of shooting with 400 megapixels, noting that each complete set of images (including raw exposures and processed files) can exceed 3 gigabytes. The video concludes with a nod to viewers’ dedication and a recommendation to check out a related video by another content creator.