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00:00:00 – 00:47:09
The video covers the features and advancements of Canon's new flagship cameras, the EOS R5 Mark II and EOS R1. The discussion, led by Nick from B&H at the Tech Corner along with an expert panel, highlights key specifications such as the EOS R1's 24 megapixels, 40 frames per second shooting, and improved autofocus, while the R5 Mark II boasts a 45-megapixel sensor, 30 frames per second for stills, and 8K video recording. New features include a RAW mode utilizing the full sensor for 4K recording, a Digic X processor, and a Digic accelerator enhancing autofocus and low-light performance.
The cameras are designed for different professional needs, from sports to wedding photography, emphasizing reliable autofocus, high-resolution sensors, internal camera crop capabilities, and connectivity options like dual card slots. They also support advanced video features such as internal RAW recording and proxy recording. Notable new functionalities include pre-continuous shooting, eye-control autofocus, customization options, and neural network noise reduction for excellent low-light performance.
Battery upgrades, new grip accessories, and an improved viewfinder also enhance the user experience. The discussion concludes by addressing user questions about features like in-camera focus stacking, electronic shutter flash compatibility, and the benefits of high-resolution viewfinders. Overall, the R5 Mark II and R1 cameras represent significant advancements in Canon’s mirrorless lineup, catering to a broad range of professional photography and videography needs.
00:00:00
In this part of the video, Nick from B&H is live at the B&H superstore’s Tech Corner to discuss Canon’s new flagship cameras, the EOS R5 Mark II and EOS R1. He introduces an expert panel, including Simon and Vanessa, who are Canon Explorers of Light with hands-on experience with the R1 and R5 Mark II, respectively. Rebecca, the Director of Education and Field Support for Canon USA, and Paul, a senior technical specialist focusing on the cinema side, also join to provide insights. The discussion highlights the EOS R1’s 24 megapixels, 40 frames per second shooting, and improved autofocus. The R5 Mark II boasts a 45-megapixel sensor, enhanced autofocus, 30 frames per second for stills, and 8K video recording capabilities. The segment emphasizes the advanced features and target audiences for these cameras.
00:05:00
In this segment of the video, the discussion centers on the new features of the Canon EOS R5 Mark II and its comparison with other models. Key points include the introduction of a new RAW mode that utilizes the full sensor for 4K recording, and the addition of a Digic X processor coupled with a Digic accelerator, which significantly enhances autofocus, shooting speed, and low-light performance.
The conversation then shifts to user experiences from different types of photographers. Simon, a sports photographer, emphasizes the importance of reliable autofocus in high-intensity sports settings, noting the improved speed of the R1 model. Vanessa, a wedding photographer, highlights the benefits of the 45-megapixel sensor in the R5 Mark II, which allows for substantial cropping and detailed portraits. She appreciates the advanced autofocus technology that enables her to focus on the client experience without being obtrusive. Both users note that the camera’s performance and unobtrusiveness can significantly enhance their effectiveness and the quality of their work.
00:10:00
In this part of the video, the speaker discusses the advantages of using a longer lens with internal camera crop for getting close shots without being the center of attention. They segue into the capabilities of the Digic accelerator in upscaling images, highlighting its ability to quadruple image resolution directly in-camera, greatly speeding up the process compared to previous methods that required cloud services. The upgrade allows the R1 camera to boost from 24 megapixels to 96 megapixels and the R5 Mark II to increase from 45 megapixels to 179 megapixels.
Additionally, the video capabilities of both cameras have seen upgrades, including internal RAW recording up to 6K at 60fps for the R1, and proxy recording for more efficient workflows. The discussion also covers the dual CF Express card slots in the R1 and the combination of CF Express B and SD card slots in the R5 Mark II. A new action priority mode, facilitated by the Digic accelerator and the advanced AF system, can intelligently predict and focus on sports contexts like soccer, basketball, and volleyball, tracking not just heads and faces but also joint movements for better performance tracking.
00:15:00
In this segment of the video, the discussion focuses on the new features in the R1 and R5 Mark II cameras, including pre-continuous shooting capabilities that allow taking up to 20 frames per second on the R1 and 15 frames per second on the R5 Mark II before fully pressing the shutter. This feature is highlighted as particularly useful in capturing critical moments, such as a wedding kiss or a soccer goal, which might otherwise be missed.
The conversation emphasizes the adaptability this provides to photographers, especially in fast-paced environments. Additionally, Vanessa notes the importance of video capabilities, such as the video switch button and the ability to shoot ultra-slow motion at 240 frames per second, which enhances the camera’s versatility.
Finally, an audience question about upgrading from the R3 to the R5 Mark II is addressed. The panel suggests that for those whose professional work demands the latest features, the incremental upgrades and shared features from the R3 justify the upgrade.
00:20:00
In this segment, the speakers discuss the key differences between the Canon R3, R1, and R5 Mark II cameras, emphasizing autofocus advancements and specific features suited for different photography needs. The R1 camera boasts significant improvements with cross-type diodes, enhancing autofocus performance, while the R5 Mark II caters to different use cases like wedding photography. Additionally, they delve into the video capabilities, highlighting the inclusion of Canon Log 2 (usually exclusive to cinema cameras), and new raw recording features that unify the workflow between Canon’s cinema and mirrorless cameras. This enhanced compatibility makes these cameras versatile for both photography and video production.
00:25:00
In this segment of the video, the speaker explains the capabilities and improvements of the R5C, particularly its raw recording features and compatibility with non-linear editing (NLE) systems and Canon’s Cinema line Raw. The discussion moves to the new LP-E6P battery, which offers a higher voltage output of 8.4 volts compared to the previous 7.2 volts, allowing higher frame rates and shooting speeds.
The segment also covers the advantages of these cameras for wildlife photography. The R5 Mark II, with its higher megapixels, allows for in-camera cropping and upscaling. Both cameras exhibit excellent low-light performance and feature a new neural network noise reduction, enhancing low-light photography. Furthermore, the R1 offers a very high maximum ISO, combined with this noise reduction technology, to produce clean images even at high ISO settings.
Lastly, the speaker addresses a user’s question about using older LP6 batteries with the new camera models, explaining that while they are usable, they come with limitations, most notably not supporting raw shooting.
00:30:00
In this part of the video, the discussion revolves around camera batteries and new accessories. The R1 camera uses the same LP-E19 battery as the R3 and 1DX Mark III, which is convenient for those upgrading from older models. The R5 Mark II will have three new grip accessories: a standard vertical grip for extra battery life and vertical functionality, an Ethernet grip that adds a 2.5G Ethernet port, and a cooling fan grip that extends shooting time and includes an Ethernet port.
The segment also highlights the eye-control autofocus feature in the R1 and R5 Mark II, which allows the camera to focus on what the user is looking at. This feature, smoother and more accurate than before, is especially useful for dynamic shooting environments like dance floors. Additionally, the cameras support pre-registered person priority, which lets users prioritize focusing on specific individuals, such as the bride and groom at a wedding, making them ideal for event photography.
00:35:00
In this part of the video, the discussion centers on the autofocus capabilities of a new camera, specifically the Simon Camera, and its various features. The camera can prioritize known team members for focus, with reassuring icons indicating successful recognition. Questions from the chat are addressed, such as how the autofocus for video compares to the R3. The new camera incorporates an improved dig accelerator, enhancing low light focusing. However, Eye Control Focus isn’t available in video mode. They also discuss wildlife photography, noting that face priority works only for humans, but animal eye tracking is available. It was confirmed that Eye Control Focus works with glasses and is improved for light-colored eyes.
Additionally, the camera offers extensive customization options. For instance, the AF button on the back can be customized in three different ways: a touch screen for selecting autofocus points or menu navigation, a half-press for one feature, and a full press for another. This level of customization allows users to perform multiple actions without moving their hands, showcasing the camera’s versatility and user-friendly design.
00:40:00
In this segment of the video, the speakers tackle various questions about the R1 camera, particularly its features and capabilities. They confirm that the R1 offers in-camera focus stacking. Additionally, they discuss how using flash with an electronic shutter could be a significant change for photographers, helping them save time by auto-filtering out blurry images and showing only the sharpest ones. There’s also a mention of adapting to the camera’s pre-shoot feature, especially when shooting in silent mode, which may require photographers to adjust their techniques. The conversation touches on the presence of moiré and how the new low pass filter in the camera could help mitigate this issue. Finally, they highlight the impressive 9.44 million dot viewfinder and blackout-free shooting with 120Hz refresh rate in the new cameras.
00:45:00
In this segment, the discussion focuses on the performance of the Canon R5 Mark I, highlighting its 5.76 million dot electronic viewfinder (EVF) with a blackout-free setting. The EVF is larger and features an anti-fog coating, which proves beneficial for photography in humid conditions. One participant mentions limited hands-on experience with the R5 Mark I but expresses eagerness to explore it further. The video wraps up by thanking the participants and viewers, marking the R5 Mark I and similar models as new flagships in Canon’s mirrorless camera lineup.