This summary of the video was created by an AI. It might contain some inaccuracies.
00:00:00 – 00:17:21
The video provides an in-depth look at the Phenom resin 3D printer from PIA Poly, focusing on its substantial build volume of 276 x 155 x 400 millimeters and advanced features such as MSLA technology with a 4K LCD panel for high-resolution prints. Key considerations include setting up the printer with a ball screw and linear rail system for precision, utilizing specific resins to maintain the LCD screen's longevity, and the importance of a sturdy base due to the printer's significant size and weight. The setup process is straightforward, requiring around 15 minutes to assemble and test components like the build plate and UV light.
The video highlights practical aspects of the printing process, such as using Chitubox software to optimize file compression and support structures, and the necessity of managing resin levels and heat dissipation during lengthy print jobs. Post-processing challenges, including the cleaning and curing of large prints, are addressed, with the speaker sharing their experience using 70% isopropyl alcohol effectively. They also discuss the benefits of the Phenom's large build plate for batch production and prototyping, demonstrating its capabilities by printing and post-processing a large Majora's Mask model from the Legend of Zelda.
Throughout the video, the speaker emphasizes the potential for efficiency and creative projects with the Phenom printer, inviting viewers to engage with their content and share ideas for future prints. The video concludes with a call to action for viewers to like, subscribe, and support via Patreon, with new content promised every Saturday.
00:00:00
In this part of the video, the focus is on introducing the Phenom resin 3D printer from PIA Poly. The presenter highlights the significant evolution in resin 3D printing, emphasizing the Phenom’s massive size and unique capabilities compared to other printers. Key points include the machine’s substantial build volume of 276 x 155 x 400 millimeters, which allows it to accommodate other printers within its space. The printer utilizes MSLA (masked stereolithography) technology with a 4K LCD panel, delivering a 72-micron XY resolution. The build plate and vat are crafted from aluminum, and the vat features a standard FEP film, which is a consumable part that needs replacement when it becomes cloudy to maintain print quality.
00:03:00
In this part of the video, the speaker elaborates on a 3D printer’s design and functionality. They describe the curved top, which allows excess resin to drip back into the vat, reducing maintenance. The machine’s build plate operates on a ball screw and linear rails, ensuring high precision and rigidity for high-resolution prints. The printer is notably robust, with a large footprint and significant weight, requiring sturdy support.
Key features include a large front door for easy print access, a 4.5-inch touchscreen for control and status updates, and multiple vent holes for cooling. Connectivity options include USB flash drive and Ethernet. The recommended slicer software is Tutubox, which simplifies setup with pre-configured settings.
The machine uses MSLA technology, and although other resins can be used, the manufacturer recommends their approved resins to ensure optimal performance and longevity of the large, heat-sensitive LCD screen. Users should consider having a spare LCD screen due to its limited 400-hour lifespan. Despite its size, the setup process is straightforward, similar to other resin printers.
00:06:00
In this part of the video, the speaker describes the process of setting up their 3D printer. They detail how they secured the build plate to the LCD screen and checked the functionality of both the LCD screen and UV light using a built-in test function. After confirming everything was in working order, they installed the vat and estimated that the setup took around 15 minutes. They opted to use a flex plate and a specific resin known for its quality and low odor.
Additionally, the speaker bypassed the included test print and chose to print a large Majora’s Mask model from the Legend of Zelda. They used a widely recommended resin with predefined settings, ensuring proper wall thickness and support structures. They scaled the model to maximize the printer’s capacity, hollowed it out to save resin, and added six drain holes to facilitate resin escape, ultimately prioritizing detail and efficiency in their printing process.
00:09:00
In this part of the video, the creator discusses the process of setting up and operating their resin 3D printer, the Phenom, using Chitubox’s latest file type (.ctb) which improves file compression and saves space. They detail pouring resin into the vat, highlighting the importance of having enough resin to help dissipate heat from the LCD screen. After starting the print, which had a duration of approximately 28-30 hours, they mention the loud fans and the necessity of placing the printer in a designated room or garage. They also recount periodically checking the print and adding more resin as it progressed. Upon completion, the creator expressed excitement about the final product, a large Legend of Zelda structure. They then outline the challenges of post-processing such large prints, noting the inadequacy of their existing cleaning stations and difficulty finding sufficient cleaning agents like isopropyl alcohol in their area.
00:12:00
In this segment, the speaker describes their experience in obtaining and using isopropyl alcohol (IPA) to clean resin prints. Faced with a shortage of high-percentage IPA, they settled for 70% IPA in multiple small bottles. Despite initial doubts, the 70% IPA proved effective in cleaning the resin. They discuss their process of soaking and agitating the resin print in a tub of IPA, and the ease of removing supports manually without tools. The speaker praises the Chitubox software for its support optimization. Finally, they note the unexpectedly thorough curing of the resin part, even before UV curing, highlighting the effectiveness of the 70% IPA.
00:15:00
In this segment, the creator discusses the curing process of resin parts when using the Phenom printer, noting that prints may differ with other resins. Living in California, they plan to cure prints outdoors under the sun, while suggesting UV chambers for less sunny areas. They emphasize the efficiency of the Phenom’s large build plate, allowing for printing multiple parts simultaneously without additional time. They express excitement about using the printer for serious prototyping and batch production. Additionally, they invite viewers to suggest and discuss creative printing ideas in the comments, mentioning a potential project of painting a Majora’s Mask print. The segment wraps up with encouragement to like, subscribe, and support via Patreon, promising new content every Saturday.