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00:00:00 – 00:13:53
"High on Life," developed by Squanch Games, is a single-player first-person shooter that diverges from the VR-centric titles like "Accounting Plus" and "Trover Saves the Universe," featuring the distinctive humor of Justin Roiland. The plot involves an alien invasion where humans are used as drugs, driving the protagonist to collaborate with a washed-up bounty hunter in Blim City to save Earth. The semi-open world allows for exploration of detailed environments rich with collectibles and hidden jokes, enhancing the player's engagement.
The gameplay includes diverse combat mechanics, with weapons offering multiple functions and various abilities like a grappling hook, jet pack, and wall run, evolving from basic shooting to complex combat scenarios. Despite some criticism on the weapon impact and enemy AI, the game's graphics, character animations, and sound design are highly praised. The humor, though occasionally overextended, is a core feature, supported by a strong voice cast including Justin Roiland, J.B. Smoove, and Tim Robinson.
While some find the humor and character banter overly indulgent, options to reduce it are available, balancing the comedic elements with gameplay. The game lasts around 10 hours, offering a complete experience with a balance of exploration and humor, though the combat outside boss fights is seen as less engaging. Overall, "High on Life" stands out for its unique blend of humor and gameplay mechanics, making it a recommended try, especially for those with access to Game Pass.
00:00:00
In this part of the video, Falcon introduces the game “High on Life” by Squanch Games, known for titles like “Accounting Plus” and “Trover Saves the Universe.” The game is a single-player, full-priced FPS that steps away from its VR-centric predecessors. Falcon notes that the game carries the distinct divisive humor of Justin Roiland, featuring rambling dialogue, over-the-top violence, and quirky characters, much like “Rick and Morty.” The plot revolves around an alien invasion where humans are used as drugs, leading the protagonist to team up with a washed-up bounty hunter and take on jobs in Blim City to ultimately save Earth. Players can earn money to buy upgrades and unlock new abilities like a grappling hook, jet pack, and wall run. The game evolves from simple shooting to complex combat scenarios with varied enemies and weapon swapping.
00:03:00
In this part of the video, the speaker discusses the game’s exploration mechanics, noting that each planet is a semi-open world filled with dense, detail-rich environments that are fun to explore. Players can find treasure chests, collectibles, and warp crystals. The speaker highlights the optional warp disks that can teleport players to humorous areas, including a city to smash or a movie theater featuring commentary from Red Letter Media.
The discussion then shifts to the game’s combat mechanics. Although each weapon has multiple functions and the mechanics are well-thought-out, the impact of the weapons, especially the shotgun, feels lacking. The enemies are not very aggressive or intelligent, but the combat becomes more challenging and engaging with the introduction of various enemy types and the need to use different abilities.
The game’s graphics and character animations are praised as well-done and filled with intricate details. The speaker notes that these small elements, like a character’s blink, add to the charm and enjoyment of the game.
00:06:00
In this segment, the speaker explores the detailed cityscapes and hidden jokes within the game, noting that these elements enhance the overall experience. They mention the game’s solid performance on the Xbox Series X, with minimal issues like the occasional voice line cut out and minor collision detection problems during platforming, but no game-breaking bugs. The sound design and voice acting are praised, featuring notable talents like Justin Roiland, J.B. Smoove, and Tim Robinson, though J.B. Smoove is seen as underutilized. The humor, a core aspect of the game, is acknowledged as good but sometimes overly extended due to lack of editing constraints, leading to mixed effectiveness. This highlights the strengths and potential overindulgence in the comedic elements compared to more tightly edited TV shows.
00:09:00
In this part of the video, the speaker discusses various aspects of the game “High on Life,” highlighting its strengths and weaknesses. The humor, especially the video game parodies and detective mode, is praised for being exceptionally funny. The parody forums in the menu are also enjoyed. While there’s some criticism about the need for better editing, the game allows for more breathing room compared to “Trover Saves the Universe.” An option to reduce the frequency of character banter is appreciated. The game includes intentionally annoying characters, which some might find tolerable or even funny.
The game’s humor may not appeal to everyone, and even fans of Justin Roiland might feel it could benefit from more restraint. Despite this, the game offers a complete experience, lasting about 10 hours or more for those seeking all collectibles. The humor doesn’t overstay its welcome and the game balances well between exploration and humor, although the combat is seen as a weaker aspect except during boss fights. The environmental design and voice cast are notable strengths, making “High on Life” a unique and appreciable game overall.
00:12:00
In this part of the video, the speaker discusses the game “High on Life,” highlighting that it stands out among humor games for its solid gameplay mechanics. The game is not just a platform for jokes; it’s genuinely fun, although it takes some time to get interesting as players need to acquire more guns and movement abilities. The speaker recommends it for those who enjoy exploring weird worlds and desire a game with decent, non-stressful shooting. They suggest trying it out on Game Pass, as it’s free there and players can quickly determine if they like it. Additionally, viewers are encouraged to comment, like, and subscribe to the channel, and follow the speaker on Twitter.